A description of a haptic encounter with an object in a way which critically and imaginatively examines touch as an embodied and material process. Drawing on a material language from writers such as Derrida and Merleau-Ponty, touch is vividly defined as a fundamental hinge between us, the subject, and the objective world.
An exploration of expanded painting. This essay examines how material agency, embodied perception, and chance operations transform painting into an ecological practice.
A reflection on thresholds through an intertwined practice of drawing and embroidery, exploring the relationship between line, body, intimacy and existence.
This essay proposes the idea of recycling creative consciousness, combined with the creation of personal environmental art works for analysis.