An essay exploring what pain leaves behind through woodcut and fragile paper installation, reflecting on how making, exhibiting and encountering an artwork transform bodily experience—and what remains beyond the reach of its material traces.
A poetic illustration of a person desperate to go beyond the looking-glass, seeking their hidden self beyond the visible reflection.
An essay including journal entries reflecting on how fieldwork can be used to engage with the non-human world.
A slow film to engage with and invite the viewer to reflect on their connection with water.
This hybrid essay explores the deep time of the beach as a stage for confronting the end of the world
In this essay I reflect on my process and the thematic of home.
A description of a haptic encounter with an object in a way which critically and imaginatively examines touch as an embodied and material process. Drawing on a material language from writers such as Derrida and Merleau-Ponty, touch is vividly defined as a fundamental hinge between us, the subject, and the objective world.
This essay explores societal isolation and invisible boundaries through illusionary spaces and figures, reflecting the collective impact of social divisions within broader structures.
This essay pursues invisible existence, exploring emptiness through an experimental approach in the materiality of printmaking and subject transformation.
This essay explores the interconnectedness of life, death, nature, and pollution, examining how symbiosis in the Anthropocene reflects human impact on the environment.
A reflection on points of connection in developing practices over the course of the MA and the collaborations that resulted.
Exploring the possibility of preserving memory and containing emotion in the face of loss and grief
I hope that through this essay to let the readers and viewers feel the contemporary art in the field of cosmology shine.
A wide range of discussion about what and how social documentary is being reflected through the practice of traditional and extended printmaking, which involves the aspects of concept development, critical reflection, technique employment and so on.
This essay delves into the intricate relationship between art and games, critically examining their intersections, conflicts, and symbiosis in aesthetics, culture, and technology. It seeks to explore additional possibilities through a reflective approach.
For the research festival, I wrote a book based on my central topic — the Bible of Digital religion. I hope that by spreading this Digital Religion Bible, more people can learn about digital religion.
This essay will discuss my research into touch as a means of exploring the world. It will talk about my practice in relation to rubbing, casting, imprints and printmaking in the expanded field of drawing.