The study explores into the collaboration between humans and machines, exploring how they creativity come together to make interactive art in the fields of poetry language and neuroscience. By connecting these different areas, the goal is to discover new ways of artistic expression.
A reflection on points of connection in developing practices over the course of the MA and the collaborations that resulted.
Exploring the possibility of preserving memory and containing emotion in the face of loss and grief
The essay traces my artistic evolution from realistic painting under socialist realism to a quest for artistic freedom and primarily explores the possibility of transcending the constraints of national ideology in my personal landscape paintings, aiming for self-expression. It also critically analyzes and attempts to philosophically position my painting practice based on Adorno aesthetic theories.
This paper describes contemporary subcultural traits and reflects on the impact of East Asian otaku culture’s stereotypical construction of the female figure in online animation on the virtual body and the real physical body.
Meng Xu and Jing Pu discuss their family relationships. We explored the different ways in which single-child families and multi-child families handle the same thing and how this affects personality.
Jing Pu and Meng Xu discuss their family relationships. We explore the different ways in which single-child families and multi-child families handle the same thing and how this affects personality.
This essay explores the decline of ecosystems in the post-human era, outlines the author’s artistic practice during the MA, accessing digital technology to create a series of scenic fragments about ecological crisis.
I hope that through this essay to let the readers and viewers feel the contemporary art in the field of cosmology shine.
A wide range of discussion about what and how social documentary is being reflected through the practice of traditional and extended printmaking, which involves the aspects of concept development, critical reflection, technique employment and so on.
An essay discussing how artists and audiences rely on works of art to complete invisible conversations.
This essay discusses my research on the art of imagery in the creation of drawings, which is combined with examples of artworks and my personal artistic practice to discuss the influence of landscape, imagery, and picturesque concepts on my creative thinking.
This essay explores the stories of wives eclipsed from history. Documenting how using feminist historiography and storytelling within my practice can make these absent lives visible and provide us with alternative histories.
This essay combines author articles, sociological research, and personal experiences with numerous sociological papers to investigate the author’s perspectives on their upbringing.
This essay explores the production process of photographic images influenced by the technological and industrial mechanism, while reflecting on alternatives to deal with the redundancy in image viewing.
Tom is a neo-expressionist painter based in London studying an MA in painting at UAL: Camberwell. In Tom’s essay he will discuss the political economy of the modern art market.
This essay delves into the intricate relationship between art and games, critically examining their intersections, conflicts, and symbiosis in aesthetics, culture, and technology. It seeks to explore additional possibilities through a reflective approach.
This paper focuses on the flow of people’s selves into digital space as the times have moved on, and reflects on the implications of this for millennials’ self-understanding as well as suggesting new ways of thinking about it.
These podcasts reflect my recent collaboration with Women of the NHS. This podcast is all about celebrating and collaborating with Women of the NHS, from a variety of backgrounds and roles within the NHS. I am excited to be interviewing and working with Women in various stages of their careers and across different sectors of the NHS.
This essay discusses why the ‘artistic interventions’ of installation, and ‘fictioning’ are particularly suitable when the work is underpinned by social justice concerns and has the aim of engaging dialogue for change.