An essay examining how absurdity, as an artistic strategy, reawakens perception and reframes seeing and being seen in overlooked everyday actions.
Tag: Interaction
The essay explores how natural and digital “skins” act as responsive surfaces that store memory and shape interaction. Through installations that merge bark, skin and glitching textures, my practice explores slower, attentive forms of touch and the ethical relationships that arise when organic and technological rhythms meet.
An exploration of expanded painting. This essay examines how material agency, embodied perception, and chance operations transform painting into an ecological practice.
This thesis investigates how interactive narrativity within participatory arts can challenge societal power structures and foster social change, drawing upon both theoretical insights and my own practice-based research.