An essay discussing three-dimensional work created under the influence of Donald Judd’s ‘Specific Objects’.
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An essay discussing three-dimensional work created under the influence of Donald Judd’s ‘Specific Objects’.
This article discusses the history of object returns, and how painting, as an object both shaped and participating in the shaping of the creator’s actions, becomes a visual representation of the tension between subject and object.
This essay highlights different approaches to translate the body into the digital space and reflects on how this affects our understanding of this body.
Taking “bad painting” as the phenomenon, this paper probes into my artistic methodology.
This essay will discuss my research into touch as a means of exploring the world. It will talk about my practice in relation to rubbing, casting, imprints and printmaking in the expanded field of drawing.