Reflections on sculptural practice-as-research through the latter half of 2024, and my rediscovery of ‘autoethnography’. This project began in the notion of ‘monumentality’.
Categories
Modern Ruins
Tag: Sculpture
This essay explores the intersections of culture, identity, and materiality in contemporary art through poetic reflections and installations inspired by modular structures, ephemeral materials, and dual cultural experiences.
The essay traces my artistic evolution from realistic painting under socialist realism to a quest for artistic freedom and primarily explores the possibility of transcending the constraints of national ideology in my personal landscape paintings, aiming for self-expression. It also critically analyzes and attempts to philosophically position my painting practice based on Adorno aesthetic theories.
This essay proposes the idea of recycling creative consciousness, combined with the creation of personal environmental art works for analysis.
in the Textual Shoes of Sandor Krasna1 1 The name of the fictitious cameraman whose imaginary letters read by a female narrator constitute the narration of the film ‘Sans Soleil’ (1983) by Chris Marker. Part 1. Parting of Ways When we were animals, we existed in chaos of nature. The world surrounding us posed dangers […]