This essay explores the inbetween state through the domestic window grill, analyzing it as a paradoxical boundary, threshold, and portal to affirm liminal fluidity.
This essay explores the inbetween state through the domestic window grill, analyzing it as a paradoxical boundary, threshold, and portal to affirm liminal fluidity.
An essay discussing three-dimensional work created under the influence of Donald Judd’s ‘Specific Objects’.